Thursday, December 30, 2010
Wednesday, December 29, 2010
Photography exhibit at Honua Kai Resort and Spa in Kaanapali Maui
Tuesday, November 16, 2010
Naia Fiji - A Diver's Paradise
Video by: Douglas J Hoffman - DouglasJHoffman.com
Wednesday, November 3, 2010
Vavau' Tonga - a paradise for whales
Aloha
Wednesday, October 20, 2010
Saturday, October 9, 2010
Flying baby whale
I have just returned home after enjoying 10 days in Vavau' Tonga. This was my fifth whale season in a row. While conditions made it a bit more challenging than the last few years, we were able to witness heat runs, mother and calf interaction, male singers, and social groups.
Monday, October 4, 2010
Lemon Shark
I have just returned from a 30 day trip dedicated to shark, coral reef, and humpback whale photography. The first week, I saw eight species of sharks and a huge Queensland Grouper. This image is of a Lemon Shark. Notice the small jacks swimming with it. See more images from the trip here. http://www.mauiphotography.net/Blog/
Friday, September 3, 2010
comments form recent workshop
Last night I received this comment from Mark Hull who participated in one of my workshops recently. Thanks Mark!
"After returning from your workshop I told myself that it was the smartest thing I could have done on my trip to Maui. Your personal attention and knowledge was very much appreciated. You challenged me to do things differently and offered great suggestions to help improve in areas I was having trouble with. I like that you asked me in advance what I wanted to focus on and wanted to know about my problem areas. The special locations we traveled to allowed me to see parts of the island that many don't get to see, and I returned with great images to boot."
I would highly recommend your workshop to anyone interested in learning more about photography or just looking for an educated tour guide that knows the best locations for the ultimate photographs.
Thanks again for a great time, I hope to see you again on my next trip to Maui.
PS. Meeting your great family and viewing your studio was also very special and gave the day that "personal touch".
Mark Hull
Wednesday, September 1, 2010
art for conservation gets double page spread in Whale Dolphin Magazine
Friday, August 27, 2010
diagonal lines are strong compositional elements for u/w imagery
Tuesday, August 24, 2010
Lemon Shark
In 2007, I was in Tonga, on a humpback whale trip with underwater photographers Mark Strickland and Tim Rock. During the week we had dinner a few times with Mike Neumann, the owner of Beqa Adventure Divers in Pacific Harbor Fiji. Known as BAD divers, this operation offers one of the most famous shark dives in the world where divers can expect to see as many as 6 or 7 species of sharks on a single dive. http://www.fijisharkdive.com/
Up to this point in my diving career of 10,000 plus dives, I had not fed animals in order to get a photograph. I felt it changed their natural behavior. So during during dinner I listened to the conversation and asked a lot of questions.
I learned that the dive shop owners had a part in creating a 30 mile long marine reserve and that fishing was not allowed. The thinking being that in order to study and sustain all the shark species its a good idea to protect the entire ecosystem. Since the reserve limited the fishing rights of the local villagers, the dive shop pays the village for every diver coming in to the reserve.
I have written more about this experience and it will be published soon on the http://www.uwphotographyguide.com/
To join me on diving and photography adventures in Hawaii, Fiji, or Tonga please check out my site www.douglasjhoffman.co
Friday, August 20, 2010
Free Lunch
Thursday, August 19, 2010
Natural frames to draw viewers eye into an image
This compositional technique has dual purposes. First it can add a great deal of depth, especially if the frame selected is connected to the main subject. Second, it has the affect of making the scene more appealing.
Perhaps the most common way of framing an image on the reef is to look for areas where their is a ledge, overhand, or coral formation that extends around, under, or over the subject. This image of a Moray Eel has a natural frame of coral reef around it. The out of focus foreground serves to draw the viewer directly to the Eye of the eel.
The benefits of framing photographs include:
1. Gives context.
2. Gives images a sense of depth.
3. Leads the eye towards main focal point.
4. Intrigues viewer.
Wednesday, August 18, 2010
tridents trumpet feasting on Clown of Thorns Starfish
Sometimes when diving I get to see bizarre glimpses of nature at work. On this particular dive I got to see what appeared to be an alien creature eating a venomous Crown of Thorns Starfish. As it turns out it was a Tridents Trumpet Shell feasting away on the starfish. This species of starfish is eating coral reefs around the word and deserves in my opinion to be eaten alive. Thats what's happening in this image and I call it poetic justice.
Saturday, August 14, 2010
Frog fish face
I went diving today at Molokini and the wreck of the St. Anthony. It was during the second dive I saw this frogfish. I had a 105 mm lens that was really about 150 mm when you factor in the size of my digital sensor. The frog fish was the size of a small pumpkin, so I decided to concentrate on just the fishes face.
Sunday, August 1, 2010
Fast shutter speeds freeze the action when doing ambient light
Thursday, July 15, 2010
Story about the live-aboard Nai'a in Fiji
I just heard from the publisher that my story about a world class live-aboard dive boat called the Naia was just published. check out the story here. http://www.uwphotographyguide.com/naia-liveaboard-fiji
Thursday, July 1, 2010
Cover of WDCS magazines 50th edition
Sunday, June 27, 2010
Even on a rainy day landscape images can be made
Wednesday, June 23, 2010
One step closer to reaching a personal goal
More fine art images can be see at www.douglasjhoffman.com.
Monday, June 21, 2010
Snorkeling with Southern Hemisphere Humpback Whales
This adventure is limited to a small group, so each person will gets the experience of a lifetime. I charter a small boat that has the proper permits and specializes in working with film crews and scientists, as opposed to a larger boat with a boat'em and float'em attitude.
Saturday, June 19, 2010
The crew of the Waterfront Restaurant
I just had the opportunity to create a few portraits for The Waterfront Restaurant. This is one of Maui's most established restaurants. They are known for incredible fish, steaks, & lobster. My wife and I went there for our 14th anniversary and had champaign with dinner. Nine months later our little girl Aya was born...............
Thursday, June 17, 2010
Sunset to remember
Wednesday, June 9, 2010
Fire in Maui
On June 8th, a brush fire broke out in the West Maui Mountains. Strong winds caused the fire to spread and by evening the fire had consumed over 2000 acres and threatened the Maui wind farm.
Monday, June 7, 2010
Summer photography workshops
Summer is here and over the next few months I will be doing three types of photography workshops. The first is all about portrait photography, lighting, & posing. The second is on landscape and scenic photography in which we will get into composition, lines of repetition, frames, slow shutter speeds, and high dynamic range. The third is about u/w photography in which we get into wide angle and macro photography, TTL and manual operations, composition, & lighting.
The first workshop has just taken place and it went from dawn till after sunset. We started at the beach, explored dirt roads, streams, the bamboo forrest, the incredible coastline of Makena, big beach, and Sugar Beach in Kihei.
Monday, May 31, 2010
High Dynamic Range - first attempt
Having read so many articles in the last year on HDR, I thought I would give it a try. So I grabbed my tripod and Nikon D200 with a 10-17 Tokina lens and went for a walk in a field that had burned less than a yea ago. I set my camera to aperture priority and selected F8. The ISO was 200 and the auto bracket for 7 stops in 1 stop increments.
I found the burned out car wrecks and thought this was a great subject. Here is the result. I used Photo Matrix software as a sample. Now I think I will purchase the plug in.
Friday, May 21, 2010
Tips on landscape photography
Limitations of Film or digital sensor
Try to keep in mind the range of light that your film or digital camera's imaging sensor will capture. A dark subject on a white beach for example has such a wide range of exposure that it is all but impossible to capture enough detail in this sort of image.
One technique that is becoming popular to day deals with dynamic range. Say for example your photographing a scene with high contrast and five or more F-stops range in exposure. Raw digital files have a lot of latitude but not that much. Thats why photographers today set their cameras to auto bracket and shoot 7-9 exposures of the same scene. The F-stop is the same to maintain depth of field. The shutter speed is bracketed in 1 stop increments. In all you want a good exposure and three that are over and three that are under. A TRIPOD IS REQUIRED for this style of photography.
One thing you can do when creating images is try to keep the sun behind you or at least 90 degrees to your side. Thee techniques produce the best landscape photographs.
The Rule of Thirds
Position key points of interest in a landscape on the intersecting point between imaginary ‘third’ points in an image and you’ll help give your image balance and help those focal points to really capture attention.
Avoid putting the horizon in the middle. Instead place the horizon in the upper or lower third of your shot.
Foreground Mid-ground Background
One element that can set apart your landscape shots is to think carefully about the foreground of your shots and by placing points of interest in them. When you do this you give those viewing the shot a way into the image as well as creating a sense of depth in your shot.
Ansel Adams, the famous B&W landscape photographer stresses the importance of making compositions that had foreground, mid, and background elements. It creates depth, scope, aids in composition and helps tell the story of the image.
Another element to consider is the sky. Most landscapes will either have a dominant foreground or sky – unless you have one or the other your shot can end up being fairly boring.
Diagonal & Leading Lines
Using converging lines can draw the eye of those viewing an image into it and to the main focal point. The lines could be the shape of a path, a line of trees, a fence, river or any other feature in an image.
S-curves
Using lines that are elegant and that resemble an S also serve to draw the viewer into the image and provide places for the eye to go leading it to the main focal point of the image.
Geometric Shapes
By positioning key aspects of a landscape on points of a geometric shape you can help create a balanced composition.
Framing Images
Adding interest to the foreground is an important technique for adding interest to landscape shots – a similar technique is to ‘frame’ the shot by adding interest to other parts of the edges of an image.
Perhaps the most common way of framing a landscape shot is to include an overhanging branch in the upper section of a shot. Similarly framing a shot with a bridge might work.
The benefits of framing pictures include:
1. giving the photo context (for example framing a scene with a lava flow can convey a sense of being out in nature in Hawaii).
2. giving images a sense of depth. (foreground, mid& background)
3. leading the eye towards your main focal point.
4. intriguing your viewer. Sometimes it’s what you can’t see in an image that draws you into it as much as what you can see in the picture.
Frames for photographs come in all shapes and sizes and can include shooting through overhanging branches, lava, foliage, etc. Your frame doesn’t need to go completely around the edges of your image – they might just be on one or two edges of your shot.
If you do use framing techniques you also need to consider whether you want your frame to be in focus or not. In some instances a nicely blurred frame will really add a sense of mood and depth to your shots (in this case use a large aperture) but in other cases to have your frame in focus can help with adding context to the scene (in this case choose a narrow aperture.
Adding Movement to landscapes
Movement adds mood and drama to an image. Wind, waves, waterfalls, birds flying , moving clouds. Use slow shutter speeds to soften the feel of waves lapping on the sand, and feel the action of the birds wings.
Take your time and look for several different points of view. When going to scenic places try to look for new angles. So get on a step ladder, or try looking from from a low perspective. Explore the environment and experiment with different view points and you could find something truly unique.
High Dynamic Range
This is a relatively new concept in photography that allows photographers to use the best information relating to shadow and highlights throughout a wide range of exposures. This is great for situations with there is great contrast. Software is available as a plug into photoshop to make the process fun and creative. Photomatix is the industry leader and allows their software to be downloaded for free for trial use.
Set the camera to auto bracket to 7 or 9 stops, then select one stop as the increment of exposure added or subtracted to each exposure. Also set the camera for aperture priority with a decent depth of field like F8. The camera will then set the shutter speed for each exposure during the auto bracket. Maintaining the F-stop will make sure all images have same depth of field.
Tripod
A light weight carbon fiber tripod with a ball head is a great tool to insure your images are sharp. It provides a steady platform for you to depress the shutter and minimize camera shake caused by body movement. Tripods allow you to use slow shutter speeds, as well as a variety of heights for different points of view. Tripods also make it easier to create multiple exposure panorama style photographs as it maintains the same angle throughout the range of exposures making it easier to align in photoshop.
First and last light is the best of the day – GOLDEN LIGHT
Sunsets and sunrises that are facing the horizon in which the sun is going to rise or set on usually look best if there is water or something reflective in the foreground as a compositional element. In Hawaii for example lava rocks, trees,and even dogs work well.
If the sun does not have a layer of clouds in front of it, the contrast in light intensity between area around the sun and the edges of your composition will be extreme. Some very dramatic sunset and sunrise colors can be captured by finding a scene that is on the opposite horizon from where the sun is actually rising or setting.
This type of composition allows the soft directional light of pre and early sunrise or early and post sunset to evenly illuminate the entire scene. Clouds can help reflect these colors and add content and texture to the sky.
Enjoy and have fun. douglas
Thursday, January 28, 2010
Just back from an exciting blue water adventure to Tonga and Fiji looking for large animals. While Whale Sharks, and Sperm whales were not observed, I saw loads of sharks including white and black tip reef, Grey reef, Bronze whalers, Oceanic White Tip, and over 25 different Bull Sharks. I see great potential and will start organizing another exploratory trip for next January trip.
Saturday, January 16, 2010
Vavau' Tonga Blue Water Adventure
I went to Vavau' in January as each year the fishermen tell me they see big schools of Tuna, bait balls, sharks, and occasionally Sperm Whales. So far I have had two days out. The first day we went out to a FAB buoy and swam with three Bronze whaler sharks. It was amazing. We also went to some sea mounts that come to within 180 feet of the surface. We saw some birds working something but it was moving really fast and we could not get in the water. From the boat it looked like a school of Mahi was working small fish.